Malmesbury Singers

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Choir Joke

A FEW SINGERS JOKES...

Laughter

Vibrato: Used by singers to hide the fact that they are on the wrong pitch.

Q: What's the difference between a Female Singer and a Porsche?
A: Most musicians have never been in a Porsche.

Q: What's the difference between a soprano and a terrorist?
A: You can negotiate with a terrorist.

Q: How many sopranos does it take to change a lightbulb?
A: One. She holds the bulb and the world revolves around her.
A: Two. One to hold the diet cola and the other to get her accompanist to do it.
A: Four. One to change the bulb and three to pull the chair out from under her.

Q: What's the definition of an alto?
A: soprano who can sightread.

Q: What's the difference between an alto and a tenor?
A: Tenors don't have hair on their backs.

Q: How many altos does it take to screw in a lightbulb?
A: None. They can't get that high.
A: Two; one to screw it in and the other to say, "Isn't that a little high for you?"

Q: How many tenors does it take to change a light bulb?
A: Four. One to change the bulb and three to bitch that they could have done it if they had the high notes.

Q: How do you tell if a tenor is dead?
A: The wine bottle is still full and the comics haven't been touched.

Q: What's the definition of a male quartet?
A: Three men and a tenor

Q: Why do high school choruses travel so often?
A: Keeps assassins guessing.

Q: What's the definition of an optimist?
A: A choral director with a mortgage.

Q: How are sopranos defying the laws of astrophysics?
A: The centre of the universe shifts with every step they take.

Q: What's the difference between a dressmaker and an alto?
A: The dressmaker tucks up the frills

Q: Why are soprano jokes all one-liners?
A: So tenors can understand them.

Q: How many basses does it take to change a lightbulb?
A: None. They're so macho they prefer to walk in the dark and bang their shins.

 

Come & Sing!

Concert Feedback!

Message from our Musical Director: Thank you all so much for all your hard work. It was a longish concert and a big sing and we acquitted ourselves very well. The Rutter Gloria was very exciting and all those "tricky bits" that we had worked so hard on came off. The Parry (I was Glad) was a really impressive "curtain raiser" and to follow that with such a sensitive rendition of Bruckner's Ave Maria was impressive.

Copyright K James, August 2009. All Rights Reserved